Recent 6 & 12 string acoustic guitar work from a Boston artist now living in Japan
I have only learned about the music of Lal Waterson is the last two years or so. She is a singularly original part of one of the most high flying, steady, reinventing folk music families, in the history of Britain. Having been captivated by the electrification of the genre, as epitomized by the likes of Fairport Convention, I was quite spellbound when hearing Ms. Waterson and her brother Mike’s 1972 record “Bright Phoebus.” A work diverse, gravitating between elation and darkness, united by serious songsmithing. The songs are beautifully augmented by the guitar work of Richard Thompson.
I was about to take a shower the other day and for no godforsaken reason this song popped into my head and I wondered who did it. Using you know what, I found it and was struck by its lovely and lonely cocktail intimacy and weary late night atmosphere. The Kingston Trio singer Bob Crane pictured in the middle below handles this foray into romantic waters !
Tom Waits turned 73 this week. After his second record “The Heart of Saturday Night,” was released in 1974 I thought he should put his career up on blocks and open a gas station.. He could never hope to make anything that good ever again. Welcome to the world of Mr. Wrong. A kingpin of song, acting, comedy and miscelaneous whimsy who continues reinventing the possibilities of the American imagination. Witness “Come On Up To The. House,” Women Sing Waits, from 2019 wherein a bevy of female artists explore the laboratory of Mr. Waits balladery.
“when you’re the opening acts for large groups, sometimes you feel like a rectal thermometer.”